Ron 'Bumblefoot' Thal (solo artist, producer, Asia, Sons Of Apollo, ex-Guns N' Roses)

about BST100 Super Overdrive plugin

What a great sound!  Smooth strong preamp drive, very effective eq, the master boost really warms things up, the cabinet IR's add lots of tonal options, and captures the realism and authenticity that's vital for an amplifier plugin.

Tchad Blake - Producer, Engineer, Mixer and Musician


regarding PSA1000 Analog Saturation:

“Not sure what’s different from the Avid version (which I also really like) but this Nembrini version is tighter, more solid in the mids and lows.

Reminds me of the original SansAmp ‘Classic' guitar pedal.

And a phase switch!

Too cool.”

Greg Wells - multiple Grammy nominated record producer, songwriter, musician, and mix engineer in Los Angeles

(Katy Perry, Deftones, Pink, etc)

“The PSA1000 Analog Saturation is a sound sculpting desert island tool. Overdrive is your mix secret weapon on drums, bass, vocals, especially when it’s of the Sansamp variety. I love the sound and flexibility of this plugin.”

Marco Martini - producer (George Michael, Ed Sheeran, Mumford & Sons, Patty Pravo, Roberto Vecchioni)

about BST100 Super Overdrive

Over the years I've been increasingly frustrated with various amp simulators, they can achieve the extremes in a fairly convincing way, but the middle ground alway left me unhappy.

The BST100 is what I've been looking for in a long time, I can easily move from clean to crunch to distorted, and it always sounds great! I love it.

about PSA1000 Analog Saturarion

I've been using the original PSA-1 for over 15 years to add color and distortion to element of my mixes and I always looked for a valid alternative in the plugin world.

The Nembrini Audio team managed to replicate the vibe of the original hardware really well, and the added features are super useful.

Nembrini Audio Logo

Nembrini Audio was born from the experience of Igor Nembrini, who has been involved in the creation of the most famous guitar amp plugins on the market for more than ten years.

Our emulations start from the exact digital reproduction of the analog circuits but are then finely tuned by ear to obtain maximum fidelity to the original sound.

Our goal are products that sound well with any setting and situation to let the creativity of the musicians, producers and mixing engineer flow!